And that was the last time anybody on the team attempted polite small talk with Beard.
Iāve been working on this since eurovision and got it done just in time for the s3 finale š„² speaking of eurovision, if you look really really closely at the interval show you might just be able peep Beard in the backgroundā¦
Best of Enemies (Young Vic)* Nutcracker (St Petersburg ballet) Street Scene (Kurt Weill) (Teatro Real Madrid) Private Lives (Hall for Cornwall) Verdi’s Rigoletto: On the Lake (Bregenz Festival) Carmen (Sydney Harbour) The Dante Project (Royal Ballet) Madame Butterfly (Sydney Harbour) Groan-ups (Hall for Cornwall) Kiss Me Kate (BBC Proms) Aida (Sydney Harbour) Ludovico Einaudi : The Elements Around the World in 80 Days (Rain or Shine) The Collaboration (Young Vic)* Cyrano de Bergerac (Harold Pinter)* Bill Bailey Larks in Transit (ROH) Everybody’s Talking About Jamie (Hall for Cornwall) The Play What I Wrote (Birmingham Rep) Rumplestiltskin (Ballet Lorent) Alvin Ailey American Dance Theatre henry iv part 1 (rsc 2014) Macbeth (Globe) Bonnie and Clyde (Arts Theatre)* Much Ado About Nothing (globe)* The Curious Incident of the Dog in the Nighttime (Hall for Cornwall) (2nd half) Wine Night (Lona Theatre, AMATA) HMS Pinafore (ENO) Oklahoma (Young Vic) Magic Goes Wrong (Hall for Cornwall)* Kate Rusby (Hall for Cornwall) La Bayadere (Royal Balllet) Ladies of Letters (Hall for Cornwall)* Rough Girls (Lyric Belfast) The Recruiting Officer (Rain or Shine) Much Ado (National Theatre)* Much Ado (Blewbury) The Tempest (Globe)* Prisoner C33 Jack Absolute Flies Again (National Theatre)* I, Joan (Globe) The Tempest (Globe) Much Ado About Nothing (globe)* Six (Hall for Cornwall)* Richard iii (rsc) Les Ballets Trockadero de Monte Carlo (Hall for Cornwall)* The Seagull (Harold Pinter) Wuthering Heights (Bristol Old Vic) Nutcracker! (Bourne) White Christmas (Hall for Cornwall) Sleeping Beauty (Bourne) (Theatre Royal Plymouth) Gods of the Game (Grange Park Opera) Treasure Island (Hall for Cornwall) Henry V (Globe)* Hex (National Theatre) A Christmas Carol: A Ghost Story (Nottingham Playhouse) As You Like It (sohoplace)*
Best 12
Best of Enemies (Young Vic)* The Collaboration (Young Vic)* Cyrano de Bergerac (Harold Pinter)* Bonnie and Clyde (Arts Theatre)* Much Ado About Nothing (globe)* Much Ado (National Theatre)* The Tempest (Globe)* Jack Absolute Flies Again (National Theatre)* Six (Hall for Cornwall)* Les Ballets Trockadero de Monte Carlo (Hall for Cornwall)* Henry V (Globe)* As You Like It (sohoplace)*
Best of Enemies : Hi we’re going to examine ego and the birth of modern media and political commentary and identity and … yes that is Andy Warhol, everyone else at the party is trying to ignore him too.
The Collaboration: Art! Reawakening artistic impulses! Connection with the world! Tunes! Paul Bettany!
Cyrano de Bergerac: Words, desire, the power of words, rap battles, being a dick because you can, falling for people, depth of emotion, James McAvoy’s thighs (my view for the first ten minutes) and Christian and Cyrano falling for each other as well and MY HEART.
Bonnie and Clyde: We’re gonna heist and we’re going for fame and tomorrow doesn’t exist.
Much Ado (Globe): It’s Italy post-war. We’re all horny as hell, everyone is beautiful, the coppers are trying to kill us laughing via shenanigans, will you please get out of my shrubbery, and ladsladslads is it gay to wrestle your mates this much?
Much Ado (NT) : Setting: Grand Budapest Hotel. Challenge: ice cream toppings and pec popping. Glam as fuck. *mwah*. (not as good as Globe, Beatrice and Benedick were more weirdos who band together than banter, but achingly glam)
The Tempest (Globe): The Island is the spanish riviera, everyone is Brits who think they’re better than the natives, Prospero’s in a yellow budgie smuggler and it turns out this is actually a comedy, Lionesses win so they have to re-jig the Three Lions lyrics mid-run in glorious fashion and Prospero is absolutely a fuckhead slavemaster.
Jack Absolute Flies Again: WW2 farce! malapropisms delivered so perfectly you nearly kill the audience! ukeleles!
Six: The ushers will dance and you can’t stop us. And yes everyone’s favourites are the Annes. Sorry not Sorry.
Les Ballets Trockadero de Monte Carlo: The boys are back, they’re en pointe and they’re glorious.
Henry V (Globe): Henry goes full psychopath to the point that Jude Law’s been left in the dust in scary Hals and I didn’t think I’d ever say *that*. When the usual comedic bits leave a hole in your soul.
As You Like It (sohoplace): Sorry, hearing actors. Rose Ayling-Ellis has put a cherry on top of why Celia should be played by a deaf actor. (see Globe and Nadia Nadarajah) Entire cast flirting with the pianist should be encouraged. Also: Alfie Enoch needs to go full ham more often. New best stage direction as provided by the subtitles; *pianist improvises frantically*
‘Fuck off, keep fucking off, and fuck off again, you’re boring and tiresome and self-involved and why the fuck should I care about you?’ Award:
Aside from all the classical opera (I keep trying. I fail. This is just not a genre I can handle. Decent tunes on occasion, lots of plodding pageantry and singing at people rather than advancing the plot. Though Gods of the Game was pretty decent by virtue of the fact that it kept employing opera tunes footie fans use but for adverts and the chorus of fans. Toreador as the jingle tune for a burger advert the lead is doing? NICE.) Wuthering Heights. Quite brilliant staging, and I thought it would be the Emma Rice-ness turning me off in this but no, it was the Bronte. I literally just want to yell 'fucking leave, don’t come back’ at everyone. The Emma Rice twiddly dance and music numbers were actually pretty good.
